111523 THAUMATURGY
WHO can argue that the imagery resulting from mirrored portraits of what I perceive as imaginary 20th century art spirits coming to participate in my exploration of them in appreciation of my knowing they exist, Is NOT true THAUMATURGY since color and light actually express themselves via the fantastical patterns that evolve? What happens when color and light get the independence to do so? Especially considering they are looking at 12 of the same image bracketed by thirds and mirrored on to itself by alternate flipping of those 12, created while seeking the ideal PORTRAIT in the series by exploring each’s color value from light to dark through 4 stops.
An imagination will find recognizable faces and fantastical imagery. A connoisseur will appreciate unique, near flawless original photography of imagery resulting from the mirrored portraits of imaginary influences that inspired and taught me how to SEE, expressing themselves when given the opportunity to do so - while amplifying the original refracted color and light that originally attracted me. What I find MOST fascinating is that my imaginaries are expressing imaginaries!
An imagination will find recognizable faces and fantastical imagery. A connoisseur will appreciate unique, near flawless original photography of imagery resulting from the mirrored portraits of imaginary influences that inspired and taught me how to SEE, expressing themselves when given the opportunity to do so - while amplifying the original refracted color and light that originally attracted me. What I find MOST fascinating is that my imaginaries are expressing imaginaries!
