122319 THAUMATURGY
These are all original images right off the card, which exists in its original untouched form. Each line is 1 original image, bracketed by thirds, flipped 4 times. The colors have been achieved by underexposing black, then letting the color appear in the brackets. The light is direct from the sun through an east window, vectored by parabolic mirrors through a myriad of crystals and large crystal balls and whatever sparkly thing, causing a sort of light machine, that is surrounded by a series of crinkled up plastic water bottles, some colored by Russian Easter-egg dyes, that borrow from each other and begin to glow as a result, revealing the visage of the spirit that has presented itself to be photographed in the most aesthetic way, regarding the opportunity offered by the moment, even though they sometimes seem to be hiding behind other forms.
Each spirit is portrayed 4, 8, 12, sometimes even 16 times depending on its density, resulting in that many originals, separated by 1/3 stops, that are then laid on their side and every other one is flipped, resulting in what you see below - when the faces in the crowd of "Señores de la Luz" appear.
They are shot with a Nikon D850 and maximum size raw files exist for each.
Each spirit is portrayed 4, 8, 12, sometimes even 16 times depending on its density, resulting in that many originals, separated by 1/3 stops, that are then laid on their side and every other one is flipped, resulting in what you see below - when the faces in the crowd of "Señores de la Luz" appear.
They are shot with a Nikon D850 and maximum size raw files exist for each.
